Katharine Hayhoe says the world is heading for dangers people have not seen in 10,000 years of civilisation
Katharine Hayhoe warns that if we continue emitting greenhouse gases no adaptation will be possible. Photograph: Courtesy of Dr Katharine Hayhoe
The world cannot adapt its way out of the climate crisis, and counting on adaptation to limit damage is no substitute for urgently cutting greenhouse gases, a leading climate scientist has warned.
Katharine Hayhoe, chief scientist for the Nature Conservancy in the US and professor at Texas Tech University, said the world was heading for dangers unseen in the 10,000 years of human civilisation, and efforts to make the world more resilient were needed but by themselves could not soften the impact enough.
“People do not understand the magnitude of what is going on,” she said. “This will be greater than anything we have ever seen in the past. This will be unprecedented. Every living thing will be affected.”
After a break in recording, Immediatism has finished a reading of the book Zenarchy, by Kerry Thornley. With frequent references to taoism, and a delightful sense of humor and lightness, this is a late 20th century classic, read by listener request.
Episode 810 concludes with the Eight Principles of the No Politics of Zenarchy:
First Principle: prisons breed crime
Second Principle: ignorance is slavery
Third Principle: it ain’t the landlord; it’s the rent
Fourth Principle: money is only a symbol
Fifth Principle: absentee control of the workplace is the root of all oppression
Sixth Principle: resist all forms of coercive authority
Seventh Principle: liberation is for everybody
Eighth Principle: transistorized untouchables exist
Note: Immediatism podcast is on the lookout for a used/rebuilt mac mini to replace its 12-year-old one. Cory@Immediatism.com
Workers in Marseille, France build an almost life-sized recreation of undersea Stone Age cave paintings fo
To reach the only place in the world where cave paintings of prehistoric marine life have been found, archaeologists have to dive to the bottom of the Mediterranean off southern France.
Then they have to negotiate a 137-meter (yard) natural tunnel into the rock, passing through the mouth of the cave until they emerge into a huge cavern, much of it now submerged.
Three men died trying to discover this “underwater Lascaux” as rumors spread of a cave to match the one in southwestern France that completely changed the way we see our Stone Age ancestors.
Lascaux—which Picasso visited in 1940—proved the urge to make art is as old as humanity itself.
Massive food producers hold too much power – and the regulators scarcely understand what is happening. Sound familiar?
For the past few years, scientists have been frantically sounding an alarm that governments refuse to hear: the global food system is beginning to look like the global financial system in the run-up to 2008.
While financial collapse would have been devastating to human welfare, food system collapse doesn’t bear thinking about. Yet the evidence that something is going badly wrong has been escalating rapidly. The current surge in food prices looks like the latest sign of systemic instability.
Susan Zakin’s writing is brilliant and irreverent, tough and funny, opinionated and sometimes outrageous But this is also a serious work, the most thorough and thoughtful survey of the American environmental movement I have seen.
Brad Knickerbocker, The Christian Science Monitor
Catches the rowdy, passionate utopianism of the first non-elite generation of environmentalists. They changed the game, and woke a lot of people up.
Gary Snyder, Pultizer-Prize winning poet, Turtle Island, Practice of the Wild
A primer for how to face our Earth’s predicament with wit and courage…Funny, smart, irreverent, opinionated and always mind-expanding.
Bill McKibben, author, The End of Nature, founder 350.org
Critics say their content is dangerous and irresponsible, but these influencers can’t get enough of the train-hopping life.
Dancer vividly remembers the first time he hopped a freight train.
It was a warm October day in 2020, and he’d stationed himself north of Longmont, Colorado, near the railway yard, where the train often rolls through town. He’d been standing next to a tree for hours, debating whether he was really going to go through with this dangerous act — and trying to ease the butterflies in his stomach.
He’d learned about train-hopping in 2017, after discovering the videos of James “Jim” Stobie, a prolific vlogger known online as Stobe the Hobo. Stobie died later that same year, after getting into an accident while hopping trains in Maryland. He was 33. Nevertheless, Dancer was inspired by the key message of Stobie’s videos: that viewers should see the often-unexplored areas of the U.S.
Eva and Franco Mattes’s “Stolen Pieces” series, objects taken from works by (clockwise from top left): Alberto Burri, Vasily Kandinsky, Jeff Koons, Richard Long, Gilbert & George, Joseph Beuys, Marcel Duchamp, and César. COURTESY THE ARTISTS
Artists have long gotten away with murder, sometimes literally. After Benvenuto Cellini killed his rival, the goldsmith Pompeo de Capitaneis, in 1534, Pope Paul III—a Cellini fan—reportedly pardoned the Florentine artist, declaring that men like him “ought not to be bound by law.” In 1660 the Dutch painter Jacob van Loo stabbed a wine merchant to death during a brawl in Amsterdam, and then fled to Paris. But, as the art historians Rudolf and Margot Wittkower have noted in their vigorously researched 1963 treatise on the behavior of artists, Born Under Saturn, van Loo had no problem being elected to the Royal Academy there just two years later. His reputation as an artist was what mattered.
Artists have not only indulged in criminal behavior and then been forgiven for it, by philosophers and historians, princes and popes, they have also sometimes openly advertised it. “I do not understand laws,” Arthur Rimbaud wrote in 1873, summing up the attitude of the renegade artist. “I have no moral sense. I am a brute.”
The reign of the Hero has come to an end. As humanity faces increasing crisis and collapse, we come to a threshold where the archetype of the Hero can no longer be our saviour. We have entered a liminal time – a space between stories – and so we must bend and instead look to, and learn from, the boundary-crossing, shape-shifting Trickster.
Join Ben Murphy and John Wolfstone as they explore the significance of this cultural transition and how it applies to each of our lives.
Crimes of the Future director David Cronenberg is expecting a major response to his graphic new body horror film.
During an interview with Deadline, the 79-year-old filmmaker said he’s expecting a lot of people to be ‘revulsed’ by the movie – and anticipates walkouts.
“There are some very strong scenes,” he explained. “I mean, I’m sure that we will have walkouts within the first five minutes of the movie. I’m sure of that. Some people who have seen the film have said that they think the last 20 minutes will be very hard on people, and that there’ll be a lot of walkouts. Some guy said that he almost had a panic attack.”
“I say, ‘Well, that would be OK’,” said Cronenberg about the potential reactions to Crimes of the Future. “But I’m not convinced that that will be a general reaction. I do expect walkouts in Cannes, and that’s a very special thing. [Laughs] People always walk out, and the seats notoriously clack as you get up, because the seats fold back and hit the back of the seat. So, you hear clack, clack, clack. Whether they’ll be outraged the way they were with Crash, I somehow don’t think so. They might be revulsed to the point that they want to leave, but that’s not the same as being outraged. However, I have no idea really what’s going to happen.”
Crimes of the Future is a twisted return to sci-fi horror for Cronenberg, who previously brought us the likes of Scanners and Videodrome.
Here’s the official synopsis: “As the human species adapts to a synthetic environment, the body undergoes new transformations and mutations. Accompanied by his partner, celebrity performance artist Saul Tenser showcases the metamorphosis of his organs. Meanwhile, a mysterious group tries to use Saul’s notoriety to shed light on the next phase of human evolution.”
