Children of Ted Two decades after his last deadly act of ecoterrorism, the Unabomber has become an unlikely prophet to a new generation of acolytes.

People have moments like that under normal conditions, of course. Sigmund Freud wrote a famous essay about them way back in 1929, Civilization and Its Discontents. A few unsettled souls will always quit that bank job and sail to Tahiti, and the stoic middle will always suck it up. But Jacobi couldn’t accept those options. Staggered by the shock of his Kaczynski Moment but intent on rising to the challenge, he began corresponding with the great man himself, hitchhiked the 644 miles from Chapel Hill to Ann Arbor to read the Kaczynski archives, tracked down his followers all around the world, and collected an impressive (and potentially incriminating) cache of material on ITS along the way. He even published essays about them in an alarmingly terror-friendly print journal named Atassa. But his biggest influence was a mysterious Spanish radical theorist known only by the pseudonym he used to translate Kaczynski’s manifesto into Spanish, Último Reducto. Recommended by Kaczynski himself, who even supplied an email address, Reducto gave Jacobi a daunting reading list and some editorial advice on his early essays, which inspired another series of TV-movie twists in Jacobi’s turbulent life. Frustrated by the limits of his knowledge, he applied to the University of North Carolina, Chapel Hill, to study some more, received a full scholarship and a small stipend, and buckled down for two years of intense scholarship. Then he quit and hit the road again. “I think the homeless are a better model than ecologically minded university students,” he told me. “They’re already living outside of the structures of society.”

LINKhttp://nymag.com/intelligencer/2018/12/the-unabomber-ted-kaczynski-new-generation-of-acolytes.html

The mind-bendy weirdness of the number zero, explained

We explain nothing.

The computer you’re reading this article on right now runs on a binary — strings of zeros and ones. Without zero, modern electronics wouldn’t exist. Without zero, there’s no calculus, which means no modern engineering or automation. Without zero, much of our modern world literally falls apart.

LINK: https://www.vox.com/science-and-health/2018/7/5/17500782/zero-number-math-explained

Global warming today mirrors conditions leading to Earth’s largest extinction event, UW study says

(Fingers crossed?)

A melting iceberg floats along a fjord leading away from the edge of the Greenland ice sheet near Nuuk, Greenland, in 2011. By this century’s end, if emissions continue at their current pace, humans will have warmed the ocean about 20 percent as much as during the Permian extinction event, newly published research says. (Brennan Linsley / The Associated Press)

If humans continue to pump greenhouse gases at our current rate, “we have no reason to think it wouldn’t cause a similar type of extinction,” said Curtis Deutsch, a UW professor and author of the research.

LINKhttps://www.seattletimes.com/seattle-news/environment/global-warming-today-mirrors-conditions-during-earths-largest-extinction-event-uw-study/

Beyond the Arthouse Bait-and-Switch of Lars von Trier’s ‘The House That Jack Built’, the Director’s Cut

It’s possible to think of the director as a troll first and serious director second – this is understandable, but regrettable

Last Wednesday, a hundred-plus American theatres hosted a new Lars von Trier film, in its ‘director’s cut,’ for one night only. It’s impossible to imagine any of Von Trier’s still-working contemporaries from, say, the 1996 Cannes Film Festival (where his international breakthrough Breaking the Waves premiered) having their latest films released this way: no such fate awaits Hou Hsiao-hsien or Mike Leigh.

The House That Jack Built (2018) arrived, carnival-barker style, as a viewer-testing orgy of extreme thrills, but it’s actually a very late-period-auteur movie which continues Von Trier’s longtime formal gambit (a widescreen, performance-foregrounding and conspicuously handheld camera style, courting utilitarian ugliness, interpolated with bits reminding you he can go hyper-formal at will) while self-reflexively reorganizing his general preoccupations. A few grody but brief insert shots aside, The House That Jack Built is no serial killer slasher but two and a half hours of uneasy black comedy carried by Matt Dillon’s unreadable (hence unpredictable, hence funny) murderer, leavened with plenty of discussion about church architecture, art and morality.

LINKhttps://frieze.com/article/beyond-arthouse-bait-and-switch-lars-von-triers-house-jack-built-directors-cut

Parallax Views: Dr. Harold Schechter on True Crime, Violence in Culture, Moral Panics, the Art of Joe Coleman, & More

On this edition of Parallax Views, Dr. Harold Schechter, one of America’s most prolific and voluminous true crime authors, joins the show for a wide-ranging conversation on history’s real-life monsters from Ed Gein to H.H Holmes that attempts elucidate why society is fascinated by serial killers, violent art, murder, and mayhem.

LINK TO SHOWhttps://parallaxviews.podbean.com/e/dr-harold-schechter-on-true-crime-violence-in-culture-moral-panics-the-art-of-joe-coleman-more/

CHARLES MANSON WRITES OPEN LETTER TO MARILYN MANSON FROM PRISON

It’s widely known that Marilyn Manson came up with his stage name by combining the monikers of actress Marilyn Monroe and infamous convicted mass murderer Charles Manson. The two names were chosen by Marilyn Manson because he felt that the pair were the two biggest icons of the 1960s. Apparently, the shock rock icon is pretty infamous himself in the mind of Charles Manson, as a postcard from the prisoner to the rock star has been leaked online.

LINKhttp://loudwire.com/charles-manson-writes-open-letter-to-marilyn-manson-from-prison/

‘New World Ordure’: Burroughs, Globalization and the Grotesque

“The scion of a well-known banking family once told me a family secret. When a certain stage of responsibility and awareness has been reached by a young banker he is taken to a room lined with family portraits in the middle of which is an ornate gilded toilet. Here he comes every day to defecate surrounded by the family portraits until he realizes that money is shit. And what does the money machine eat to shit it out? It eats youth, spontaneity, life, beauty, and above all it eats creativity.”
—William S. Burroughs (Job 73–4)

Christopher Wylie: The Man Who Was Deleted From the Internet

When I went public with revelations that Cambridge Analytica had harvested 87 million profiles using an app that Facebook had authorized, Facebook’s first reaction was to immediately ban me — not only from Facebook but also from all the other companies that Facebook owns. That means I couldn’t even go on Instagram. All the apps that used Facebook authentication just showed errors — so my Tinder, Uber and countless other apps stopped working.

Within a day of coming out as “the first Millennial whistleblower,” I was deleted from the Internet.

LINKhttp://www.papermag.com/christopher-wylie-break-the-internet-2621783738.html

Portrait of a planet on the verge of climate catastrophe

As the UN sits down for its annual climate conference this week, many experts believe we have passed the point of no return

LINKhttps://www.theguardian.com/environment/2018/dec/02/world-verge-climate-catastophe

Operation Wild Mayhem – Games To Collapse Empire

A piece by Julian Langer, whose blog can be found at https://ecorevoltblog.wordpress.com
————–

“Three minutes. This is it – ground zero. Would you like to say a few words to mark the occasion?” Tyler Durden

 

As Tyler stood overlooking the heart of civilization he knew he saw a failing empire on the brink of destruction. So Tyler abandons the consumer nesting instinct, in favour of neo-luddite primal anarchy.

 

Whether or not time and this magical land called the future exists is something for another discussion – I’ll just say that I’m not convinced. But for the purposes of this discussion it seems fair to say that we are three minutes from ground zero. The important thing to remember though is that we are not awaiting the arrival of a nuclear bomb, though Trump, Putin and North Korea appear to be directing us towards that situation. No, we are the embodiment of a thermonuclear cataclysm, a world-ruining piece of machinery, three minutes away from ground zero. So I’ll say a few words to mark the occasion.

 

Tyler was wrong when he said that our fathers were our models for God; our fathers were merely meant to teach us how to navigate the body of God – the body of the metropolis, the state, the market, civilisation, the Leviathan. But Tyler was correct when he said that God hates us.

 

After all, what has God, civilisation, the state, the Leviathan, the stranglehold of capitalism brought us? The planet is in ecological ruins. We are plagued by droughts, hurricanes, wildfires intensified by arid conditions and desertification, brought on by agriculture and the deforestation it requires, oil spills, dehabitation, specicde, air unfit to breath and mass extinction. Television feeds us the daily horror of militarism, bombs and politics, along side (m)advertising, supposed reality shows and force-fed comedy spooned down our throats, as we sink deeper into the psychosis of this hyper-real Spectacle – the word of God, the great domesticator.

 

But in the words of Tyler Durden, “fuck damnation, man, fuck redemption! If we are God’s unwanted children, then so be it!”

 

If this culture wants us to live lives of death, I propose we rebel, by seeking (near-)Life experiences; that we lose every-Thing to be free to do anything.

 

How do we do this?

 

Well if this culture is hell bent on trying to domesticate us all, bringing some wildness to this culture seems the best routeless direction to go down.

 

With all their attempts to make living in this culture better, most activist projects have served only to make the planetary work machine more bearable for those closest to “radicals”. The revolutionary project is now largely a t-shirt or film. Social anarchists fill potholes and keep this culture going – acts of service to God.

 

On the other hand, subversive art-focused and psychology-focused milieus, such as Situationists, Discordians, guerrilla ontologists and others which can generally be considered applicable to a post-anarchist practice, have succeeded in creating spaces to release the repressed flow of the wild, within the body of civilisation. This type of practice is that which Hakim Bey (Peter Lamborn Wilson) calls poetic terrorism, and appears to be a means of eco-radicals waging primal war against this world-ruining culture.

 

Situationists are focused on challenging the psycho-geography of this culture’s everyday normal life, through mediums such as the situationist-prank, which involved turning aspects of capitalism’s everyday-narratives against itself. Discordians and guerrilla ontologists, inspired by the philosophy of Robert Anton Wilson, have often embraced the campaign of Operation Mindfuck, which has focused on art based approaches like performance and guerrilla art, as well as vandalism, practical jokes, reality hacking and hoaxes.

 

Drawing from these both, in mapping out a loose route for our poetic terrorism, a campaign seems available to us, as agents against this culture, as a means of wild-attack.

 

What does this look like?

 

Here are some games –

Modelling glue in the locks of shops, banks and vehicles of world-ruiners. Going into computer shops with fishtank cleaner magnets and destroying the hard drives. Standing on streets with a free hugs sign and giving each person who hugs you a home-made pamphlet on the ecological crisis. Gluing folded up pieces of paper into the coin slots of parking machines and into the card slots of ATMs. Searching for unlocked cars and turning on their lights to drain the battery. Mixing whipped cream, corn flakes, grapes, maple syrup, dish washer fluid and warm water in large quantities in black bags and pouring home-made vomit along streets, in high-traffic pedestrian areas. Standing on the edge and peeing into swimming pools. Leaving kitchen knives in public places covered in fake blood. Graffiti apocalypse poems or surrealist slogans, like “I don’t want to be a wall anymore” on walls, in chalk in public spaces, in sight of on-lookers. Putting itching powder on the toilet paper in public toilets and rolling it back up. Gluing public toilet seats down and putting glue on them. Wearing sandwich boards emblazoned with “the end was yesterday”. Filling wet paper towels with flour, wrapping it up, tying up with a rubber band and throwing flour bombs. Reviving the Existential Negation Campaign. Destroying badger traps or committing other acts of ecotage/monkey-wrenching and turning them into works of art.

 

These are some of the directions for this project of wild mayhem. With every work of creative-destruction performed a communiqué should be left, as words to mark the occasion.

 

With this, eco-radical practice escapes the revolutionary model, which is tied to History (the narrative of this culture and its “progress”), without falling into renunciation and becomes an iconoclastic endeavour, full of wild potential. Eco-radicals can challenge believers in this culture’s faith in its ability to maintain everyday normality in ways that are direct and signify a defiant rebellion, without appealing to ideologies and systems, which end up being incorporated and part of that which we hate.

 

As this operation is intentionally outside of History, there is no start or end date to it. This can be picked up by anyone and dropped as soon as they decide to stop. It has no governing body or even decentralised organisation behind it. It is a wild endeavour, anarchic, free.

 

So this is it – ground zero. Our operation will be one of wild mayhem. What is to come we cannot know for sure, but the present course only leads to ruin. Disrupting that course, disrupting its ruin of the world and encouraging God’s ruin, through wild poetic terrorism as primal war, seems like a pathway to go down with potential. If you want a future, I will turn again to Mr Durden – In the world I see – you are stalking elk through the damp canyon forests around the ruins of Rockefeller Center. You’ll wear leather clothes that will last you the rest of your life. You’ll climb the wrist-thick kudzu vines that wrap the Sears Tower. And when you look down, you’ll see tiny figures pounding corn, laying strips of venison on the empty car pool lane of some abandoned superhighway.”