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Abstract
While historians have examined the complexity and nuance of the 1960s counterculture, their analyses of the popular culture that was intimately connected to it continue to focus on “hippie” culture from San Francisco. The Doors represent a different side of the experience. They were influenced by ideas that were influential across the movements that coalesced into the popular resistance front of the late sixties, but the band articulated an unorthodox brand of countercultural resistance that affirmed or rejected different aspects of the culture as it was discussed at the time and as it would later be constructed in popular memory. They advocated “sex as a weapon,” while subtly eschewing “psychedelia” and rejecting the more overt elements of hippie culture, especially Woodstock, in favor of “darkness” and “constant revolution.” The band’s extreme popularity in the late sixties points to the wide appeal of their particular countercultural brand.