Empiricism, algorithms and smartphones are out – astrology, art and a life lived fiercely offline are in
Cultural upheavals can be a riddle in real time. Trends that might seem obvious in hindsight are poorly understood in the present or not fathomed at all. We live in turbulent times now, at the tail end of a pandemic that killed millions and, for a period, reordered existence as we knew it. It marked, perhaps more than any other crisis in modern times, a new era, the world of the 2010s wrenched away for good.
What comes next can’t be known – not with so much war and political instability, the rise of autocrats around the world, and the growing plausibility of a second Donald Trump term. Within the roil – or below it – one can hazard, at least, a hypothesis: a change is here and it should be named. A rebellion, both conscious and unconscious, has begun. It is happening both online and off-, and the off is where the youth, one day, might prefer to wage it. It echoes, in its own way, a great shift that came more than two centuries ago, out of the ashes of the Napoleonic wars.
The new romanticism has arrived, butting up against and even outright rejecting the empiricism that reigned for a significant chunk of this century. Backlash is bubbling against tech’s dominance of everyday life, particularly the godlike algorithms – their true calculus still proprietary – that rule all of digital existence.
READ COMPLETE ARTICLE: https://www.theguardian.com/commentisfree/2023/dec/28/new-romanticism-technology-backlash
Bernard Charbonneau’s The Garden of Babylon (1969) is not only an impassioned, deeply personal and nostalgic manifesto on behalf of nature, traditional farming and rural culture—which are being destroyed by industrial and urban expansion and by government policies supposedly designed to save them but which in fact only promote financial interests and mass tourism—but also a revolutionary polemic on behalf of human freedom, whose indivisible unity with nature was ambiguously reflected in the “feeling of nature” that arose during the 18th century: “it was no mere coincidence that the century that discovered nature was also the century of the individual and his freedom”.
