In a speech about climate change from April 4th of this year, UN General Secretary António Guterres lambasted “the empty pledges that put us on track to an unlivable world” and warned that “we are on a fast track to climate disaster” (1). Although stark, Guterres’ statements were not novel. Guterres has made similar remarks on previous occasions, as have other public figures, including Sir David Attenborough, who warned in 2018 that inaction on climate change could lead to “the collapse of our civilizations” (2). In their article, “World Scientists’ Warning of a Climate Emergency 2021”—which now has more than 14,700 signatories from 158 countries—William J. Ripple and colleagues state that climate change could “cause significant disruptions to ecosystems, society, and economies, potentially making large areas of Earth uninhabitable” (3).
READ ARTICLE: https://www.pnas.org/doi/10.1073/pnas.2210525119?s=03
Bernard Charbonneau’s The Garden of Babylon (1969) is not only an impassioned, deeply personal and nostalgic manifesto on behalf of nature, traditional farming and rural culture—which are being destroyed by industrial and urban expansion and by government policies supposedly designed to save them but which in fact only promote financial interests and mass tourism—but also a revolutionary polemic on behalf of human freedom, whose indivisible unity with nature was ambiguously reflected in the “feeling of nature” that arose during the 18th century: “it was no mere coincidence that the century that discovered nature was also the century of the individual and his freedom”.
